“Exercise and Exorcise”
The London based artist and author Samson Kambalu, born in 1975 in Malawi, studied at the University of Malawi (BA Fine Art and Ethnomusicology, 1995-99); Nottingham Trent University (MA Fine Art, 2002-03) and Chelsea College of Art and Design (PhD, 2011 – 15). He has shown his work around the world, including Dakar Biennale (2014, 2016), Tokyo International Art Festival (2009) and the Liverpool Biennial (2004, 2016). He has won research fellowships with Yale University and Smithsonian Institution and was included in All the World’s Futures, Venice Biennale 2015, curated by Okwui Enwezor.
Holy Ball, 2000 – present
Kambalu works in a variety of media, including site-specific installation, video, performance and literature. His work is autobiographical and approaches art as an arena for critical thought and sovereign activities. His basic influences are Situationism, the Nyau prestation social structures of his native Malawi and the Protestant tradition of inquiry, criticism and dissent.
In 2000 Kambalu made a work called Holy Ball, a football wrapped in pages of the Bible, and invited people to ‘exercise and exorcise’ with it at various venues, both local and international, starting with the University of Malawi’s Chancellor College. This was Malawi’s first exhibition of conceptual art. Since then, Kambalu has evolved a philosophy of life and art based on play and critical transgression.
His first novel, a portrait of the artist growing up in Africa, The Jive Talker or How to Get A British Passport, published by Jonathan Cape and Simon and Schuster in 2008, was awarded Winner of the National Book Tokens ‘Global Reads’ Prize (2010). The book was translated into German by Unionsverlag (2010), and Kambalu has been on performative reading tours since 2009, combining art and literature. These have included Cabaret Voltaire in Switzerland, Rauris in Austria, The Frankfurt Book Fair and the Edinburgh International Book Festival.
Kambalu’s recent novel, Uccello’s Vineyard, is a detourned narrative about photography and art set in the Middle Ages.
Kambalu’s psychogeographical Nyau Cinema is a series of playful site-specific performances, ‘rants’, presented as film clip interventions on various social networking sites online and in specially designed film booths and cinema installations.
Kambalu’s AHRC funded PhD (2011-15) examines how the problematic of the gift animates various aspects of his art practice. This has included research into the general economy in Meschac Gaba’s Museum of Contemporary African Art.
Samson Kambalu CV
Download Ten Rules of Nyau Cinema here
Selected Nyau Cinema Dispositifs
How to Make a Holy Ball
Samson Kambalu interview: Venice Biennale 2015 All the World’s Futures